Fat Ghost Hunters
by Roland Michel Tremblay
Idea for a very low budget sci-fi/horror
This idea on the Net: www.crownedanarchist.com/ghosthunters.htm
Download a doc version: www.crownedanarchist.com/ghosthunters.doc
Short Synopsis of The Fat Ghost Hunters
This film will pretend to be doing a documentary
about two very fat ghost hunters who have created their own little
investigation organization. Rupert and Adelaide Eddington are
very common and have no manner, but they are portrayed in a very
realistic way and they do try to be classy with their fake British
accent that gives them a snobbish quality. Their son William is
very thin, unimpressed and angry at them for no particular reason
(just as a 15 year old son should be!).
A production crew follows them with cheap Sony
DV Cams or perhaps cameras using Mini DV tapes. There will be
three stops that our investigators will investigate. The first
stop sees them walking around a cemetery reported as being haunted.
We will see them walking around the tombstones, asking questions
to nobody in particular and recording everything as they go along.
Back at home, using their computer, we understand that they have
recorded images and voices of ghosts.
The second stop is a haunted lighthouse (or anything
else) where they will meet a strange crazy medium who appears
to be inventing quite a lot of history, seeing dead people and
telling their stories. Our investigators laugh at her and don't
find her to be credible until they get back home and realize the
voices they recorded corroborate what she was seeing and saying.
Something strange will happen at the lighthouse, they will have
the fright of their life.
The third and last stop will be quite fascinating
and central to the movie. They are to investigate the ruins of
a castle in the countryside. When they arrive there though, the
castle appears intact and very nice indeed. They catch some life
inside and when they approach the stairs, they see a monk running
away. A nice lady wearing a white and grandiose dress walks on
the grass then disappears. It is only when they reach the end
of the property on their way out that some peasants explain to
them that the castle is in ruins, it does not make sense. Monks
and a beautiful Lady used to live there, but 300 years ago. When
they go back, the castle is in ruins. Follows a great press conference
to show their findings and try to explain what happened, nobody
believes them despite the evidence.
The movie ends with the fat husband dying and
a monologue by the wife though the son will be there whining in
the background. When she realizes that her monologue was being
recorded, she listens to it in reverse and she hears her husband
talking to her and reassuring her and her son. It should be very
sad and realistic.
To give you an idea for the feel of this film I suggest you buy
the movie Alien Abduction: The McPherson Tape. It is a documentary
style movie where even one of the kids is recording with his small
camera what is going around whilst a space ship and aliens attack
the house. It is made to be realistic and leaves you wondering
if perhaps this is real. Of course, when you see the fake aliens,
you know it is a film. A bit like the Blairwitch project.
interest of doing such a film is that it can cost virtually nothing
and no more than 3 takes can be made of any scene. It can be wobbly
and not perfect as it is supposed to be a cheap documentary. Even
if you don't have the budget to make the White Lady disappears,
the camera at that point can go blank as the battery might have
gone empty completely when the apparition appears (it is often
the case when you investigate ghosts).
The only remaining problem is to find a castle
that is both in ruins and intact, so you can film one part when
they are in the past, and the other when they are in the present.
Perhaps two similar castles, one in ruins and one rebuilt, could
be found. If all this fail, there is also the possibility to find
a nice house where perhaps there are many similar ones around.
One would need to be half destroyed. In England it should not
be too difficult, all the houses are identical. You have cities
with 1 million of the exact same house, it is quite impressive
to see actually.
Though the investigators are very fat, it should
not become grotesque and they should not become caricatures. It
should be funny to see them going along their business as usual,
nothing more. They should be a fascination to look at without
jokes to make it funny. This sort of easy humor would quickly
destroy the idea of this film, even though it could be exploited
in a subtle manner. The woman might fall, they might have problems
getting in a small car or moving around. And they should eat a
lot, seven meals a day, without the movie becoming gross. This
could easily become the most interesting part of the movie, even
though the paranormal side of it should be what steals the interest
of the film.
To get more information about explaining these
ghosts and the world they live in, and how our characters can
go into the past, it is essential to read my report about Invisibility
as it will be the basis of what they will discuss in the movie
(how they can explain ghosts and two different times in history
As I mentioned in the idea Schizo, as to talking with ghosts and
record images, films and sounds, there are already organized associations
everywhere in the world that have a staggering amount of proofs
to offer. To name only two, here is the American Association of
Electronic Voice Phenomena (EVP): http://aaevp.com
and the Instrumental Transcommunication website (ITC) www.worlditc.org.
Like Schizo (and this idea was supposed to be
incorporated into Schizo but I decided it could be a movie on
its own) this film is about showing to the world that it is possible
to record ghosts talking and living somewhere else and that the
universe the mediums are reaching can be recorded on our day to
day technology. It is a film that is trying to show that there
is a world out there where certain people go when they die and
that we can reach out for it.
Synopsis of The Fat Ghost Hunters
Intro - Getting Ready
Rupert and Adelaide Eddington are our fat investigators, they
have been married for decades and they love each other very much
in a romantic way even though it can easily go to rudeness and
anger, but never for long. Their son is 15 years old and he is
out of control. No matter, the parents are crazy themselves, or
at least eccentrics.
The movie starts with the pair preparing themselves
for the hunt. They are going to pass the night in a cemetery.
The son William cannot believe it, he thinks his parents are mad
and that he must be the only student in all his school that has
parents chasing ghosts all night long in a cemetery. A big argument
ensues. Ultimately Adelaide tells her son to go to his room. When
she comes back she is hungry and she decides to prepare a big
meal. The son shouts from his room that it is not the time yet
for their seventh meal of the day. Adelaide is a bit embarrassed
in front of the cameramen and tries to justify herself, that they
barely have four meals a day now and she starts cooking. You could
believe looking at her that she was preparing a meal for 50 people.
Once all their gadgets are all sorted out and
that they are ready to leave, she goes and kisses her son goodbye
and the whole team leaves for the cemetery.
The Cemetery at night
When they arrive at the cemetery they simply activate their camera
and their tape recorder and start asking questions: Is there anyone
here with us tonight? What is your name? What have you died of?
Are we welcomed here? Do you have any message for us?
Once at home they transfer everything to the computer.
They use a simple application to filter the background noise and
to listen to very low frequencies. They get their answers: I am
Helena Stringfell or Stringfield or Springfield (the voice is
all distorted and we are not certain if this is what the ghost
says), I will kill you all! (a man's voice), they did this to
me (a child's voice), Get out you fat bastards, leave us alone!
A bit embarrassing for the couple, they try to
make it as if the last message is not really what is evident,
without success. They are not deterred by this and then move on
to the films. They can distinguish some images of people, some
of them moving in between the graves. They believe this was a
successful night and they put their evidence online on their little
website they built together, leaving out the message about the
fat bastards. They are going to bed because tomorrow they are
visiting a haunted lighthouse.
The Lighthouse at night
Again the Eddingtons are preparing their equipment not without
eating a huge meal first. The son is angry again for no reason
and provokes them all the time. He gets into a fight with one
of the cameraman and the image becomes blurry and moves a lot.
Finally they leave for the lighthouse without William, they are
going to meet the owner and a medium, respectively Mr. Princeton
and Ms Roberta Leone.
When they arrive on sight, Mr. Princeton appears
to be unhappy by what he believes to be a waste of time. He never
wanted to be there in the first place, he was forced by Ms Leone.
He now believes that he his surrounded by a bunch of lunatics
and that nothing will come out from all this.
Ms Leone thanks the Eddingtons for coming, they
too appear to doubt the powers of that weird and eccentric woman,
the type you meet in the Psychic Fairs. Before they go in Ms Leone
launch into the fact that she can see a woman at the top of the
tower crying and that she just jumped down the tower. When she
looks at an invisible woman falling and that the woman apparently
falls to the ground, she acts like if she suffered the impact
herself, with exaggerated noises and movements. She affirms that
the woman was pushed by her husband and that her name is…
her name is… Saree… or Sarah… MacFarlane. She
used to be living here some 70 years ago. Everyone starts laughing
until the owner Mr. Princeton confirms that Sarah and Harry MacFarlane
used to be in charge of the lighthouse many years ago. Still,
our fat investigators believe Ms Leone did some research before
coming here tonight and they say so.
Inside it is a bit dark and no one feel at ease.
In a dark corridor Adelaide starts shouting very loudly, she claims
someone or something grabbed her hair in the dark. She says that
she has problems breathing and she feels like crying. Ms Leone
confirms that she saw the woman again, crying and saying that
her husband used to lock her at the top of the tower. Everybody
feel very cold and shivery.
When they reach the top of the tower it looks
like the place has not been opened for years. Adelaide starts
asking her questions: what is your name, why do you haunt this
place, what were you doing in this lighthouse? Ms Leone answers
all the questions as if possessed by Sarah MacFarlane. She tries
to throw herself by the window, like Sarah did in the past, and
everyone stops her just in time before the jump. She then loses
consciousness and falls on the ground.
When comes the time to leave, they don't know
what to make of all this and in the van, on their way back, they
cannot believe the show that medium pull out for them. They don't
believe a word of all she did and said. She was over the top.
Once the data is in their computers, they realize
that the medium was right. And they can hear Sarah crying and
the sound coming towards them as if she was falling on the ground
from the top of the tower. Then we can hear the voice suffering
from a fall. When comes the time to listen to the answers Adelaide
asked, every time Ms Leone answers the question, when they play
the tape in reverse, they can hear a woman giving the same answers
in a disembodied voice: I am Sarah MacFarlane, I live here, I
guide the ships toward the light. They are blown away.
The Castle 300 years ago
The next day they are on the road to the castle in the countryside.
The son William decided to come along as it was not during the
night for once. When they arrive close to the place, they ask
some people on the side of the road about the location of the
ruins. They tell them that it is at the end of the little path
on the right but they will need to walk the rest of the way.
So we can see them walking toward the castle.
Strange, there is a big farm house with flowers and vegetables
on the way to the castle and they thought this no longer existed.
Even stranger, the castle does not appear to be in ruins. It appears
to be inhabited as they can see fading lights coming from the
windows, like if they were candles or oil lamps. They can see
someone coming towards them and he appears to be wearing a black
priest's robe. When he sees them he looks afraid and runs away.
They get inside the castle, people appear to be
living there like if it was the reconstitution of a play to teach
visitors the past history of the castle. They think there must
be a lot of tourists to justify such an investment in a lost place
like that. Then they see a woman dressed with clothes from 300
years ago panicking when she sees them. She shouts in old English
to leave the premises at once and to never come back. They try
to explain why they are here but she grasps some sort of metal
bar and they all run out of the castle.
Outside they see a Lady wearing a grandiose white
dress walking very straight and ignoring them. She finally disappears.
They all decide it is time to leave the premises.
On their way back they cannot find the farm with
the flowers and the vegetables, they are afraid they might be
lost and it is getting dark outside. But they reach the barrier
and they can see their van. They meet again the people they saw
earlier on and they ask them what is going on. The castle was
intact and there were strangers dressed like in the last century
living in there. They are asking if perhaps this was the wrong
castle, they were looking for ruins. They tell them that the castle
was in ruins, that they must be mistaken. And when asked about
the farm house with the flowers, they confirm it has been burnt
by fire more than 150 years ago. And for the Lady in White and
the Monk, there were people with this description living there
more than 300 years ago.
When they hear all this, everyone decide to return
to the castle. Once again they don't see the farm house and the
castle is in ruins, there is no mistake about it. They film everything
and they leave.
Later at a press conference they explain their
story and show the photos and films on a screen. Everyone ask
questions but you can tell they don't believe a word of what they
say. Some questions are ironic and turn sour when the crowd starts
making fun of their weight. At that point we can see Adelaide
and Rupert looking at each other and agreeing to leave, not before
their son launch into an attack towards the crowd, defending his
parents as he was also a witness and he is not crazy. While getting
up his chair, Rupert puts his hand on his heart and falls unconscious
to the floor. We can hear Adelaide screaming that she wants an
The Husband's Death and Beyond the Grave
Back home the next day we can see Adelaide and William crying
and depressed at Rupert's death. Adelaide unpacks everything with
anger whilst starting a monologue about how much she loved her
husband and that he had no right to leave them alone. She did
not realize that by dropping the recorder on the table, it started
to record automatically. She blames herself for their 7 meals
a day diet and she wishes she could start it all over again without
the food this time. She is cursing herself for their little night
out to the neighboring cemetery and that William was right all
along. She was a lunatic and perhaps they should put her in a
William then picks up the tape recorder and understands
it is recording. He stops the recording and go to dump the data
into the computer. They can hear Rupert telling Adelaide to stop
crying, that he is happy where he is, he can hear them and see
them and he does not regret anything. He wants them to continue
to live happily and forget the world of the dead as the world
of the living is what really matters.
Roland Michel Tremblay
44E The Grove, Isleworth, Middlesex, London, TW7 4JF, United Kingdom
Tel: +44 (0)20 8847 5586 Mobile: +44 (0)794 127 1010
Contact: Roland Michel Tremblay
Tel. : +44 (0)20 8847 5586 (London, UK)
E-mail : firstname.lastname@example.org
Sites : www.crownedanarchist.com
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